Tree
Flashlight Enthusiast
Hello everyone.
Long time reader first time poster
.
I am a sound engineer and have an 8NX, but it it too big and heavy for me to carry around all the time (I only wear during shows because it tends to pull my belt down if I wear it all the time). I was thinking about selling it and getting an E2. My question is, will I be dissapointed in the E2's performance coming from an 8NX?
A friend of mine has a 6P and in comparison the whiter light from the 6P was actually more usable for me.
I will probably get a beamshaper for the E2 (if I get it) since a lot of my uses are less than 20feet, and can use the extra with of the beam. The fact that it can fit in a Mag AA holster is a plus too. Battery cost is an issue (that's why I bought an 8NX in the first place) so the E2's 75 minute lifespan is a plus. I was looking at the UK2L, but it's inability to flash on and off, lower light output, and unadjustable narrow beam does not seem to fit the bill.
Brock, I read you are a audio engineer also. Do you have any reccomendations of a small easy to carry light that can easily sort through equipment in a dim backstage environment, troubleshoot problems on a lit, not lit, lit, not lit, lit, not lit, stage during a performance (been on stage to troubleshoot when the song ends and lights go out, DOH!), easliy search under a dark as night 60 x 40 stage, and "flash" a monitor engineer from FOH at 100feet away to get his attention. I have a Poton II to stick in my mouth and see directly in front of my face so I can use both hands to wire racks and such.
Thanks in advance for any replies. I have to say this is the best, most polite, professional forum I have had the pleasure to read.
Long time reader first time poster
I am a sound engineer and have an 8NX, but it it too big and heavy for me to carry around all the time (I only wear during shows because it tends to pull my belt down if I wear it all the time). I was thinking about selling it and getting an E2. My question is, will I be dissapointed in the E2's performance coming from an 8NX?
A friend of mine has a 6P and in comparison the whiter light from the 6P was actually more usable for me.
I will probably get a beamshaper for the E2 (if I get it) since a lot of my uses are less than 20feet, and can use the extra with of the beam. The fact that it can fit in a Mag AA holster is a plus too. Battery cost is an issue (that's why I bought an 8NX in the first place) so the E2's 75 minute lifespan is a plus. I was looking at the UK2L, but it's inability to flash on and off, lower light output, and unadjustable narrow beam does not seem to fit the bill.
Brock, I read you are a audio engineer also. Do you have any reccomendations of a small easy to carry light that can easily sort through equipment in a dim backstage environment, troubleshoot problems on a lit, not lit, lit, not lit, lit, not lit, stage during a performance (been on stage to troubleshoot when the song ends and lights go out, DOH!), easliy search under a dark as night 60 x 40 stage, and "flash" a monitor engineer from FOH at 100feet away to get his attention. I have a Poton II to stick in my mouth and see directly in front of my face so I can use both hands to wire racks and such.
Thanks in advance for any replies. I have to say this is the best, most polite, professional forum I have had the pleasure to read.