Okay, made a few photos of the spectra the transmissive hommeade one can produce - excuse the quality, my camera does NOT like low light situations.
Blue-green tinted 60W incandescent. Note, the camera also appears to be seeing two IR lines here as well, these appear from all the incan lamps. Appears that my camera has a "gap" for those wavelengths in the IR filter! Can clearly be seen where the filter on the bulb starts cutting out everything from the mid-red.
Next, a decent compact fluorescent. This one didn't come out so well. The actual image you see allows sufficient resolution to see precisely what's going on - however the camera overloads and the "blooming" wrecks that effect. The secondary spectra shows the resolution better - but is underexposed.
Now things get a little more interesting. Three coloured compact fluorescent lamps. Red, green and blue. To be honest, they're actually magenta, sage-green and bug-zapper blue. But have really interesting spectra as a result.
Firstly, the red one. Seems that the actual spectra here isn't that far off that of a normal fluorescent, just that there's far, far more red emission than you'd expect, and the violet line seems to have been attenuated somewhat, not a huge amount though. The phosphor itself glows a deep reddish pink when exposed to light from a BLB fixture. This reminds me of the magnesium fluorogermanate (I think) coating seen on high pressure mercury lamps.
Green one, now this *is* a bit of a puzzle, and I'm totally at a loss to explain the phosphor chemistry. The usual green line's there, very strongly too, but there's also pretty strong bands in the red, mid-blue and yellow. Hence the whitish green appearance. Anyone has a clue what the phosphor here is, feel free to tell me. Blacklight doesn't seem to cause any notable fluorescence from this one at all.
And the blue one. Just a conventional mercury spectra with a huge broadband blue emission stuck on the end. This one glows almost exactly the same colour as white paper when zapped with blacklight - not a million miles from the actual colour of the light. This is a lot dimmer than the other two.
Not great pics (though the blue one is actually pretty accurate (the seconday spectra - main one overloaded the camera). Think you can get the general idea when you extrapolate from the one overexposed and one underexposed one! Need to get a camera which has manual exposure control!
Hope this is of interest. One mod I made to the original plans was to paint the inside of the box matt black. This increased the contrast a lot as it got rid of all the reflections inside. Especially handy when dealing with bright sources.