Brighteyez said:
Just to prove a point to someone who was equipment focused, I did something along those lines once. Showed him some 5x5" prints and asked for an opinion. The response was "of course they're good, you used a Hasselblad". I then showed him the 35mm negatives that came from the 126 cartridge camera (sorry, don't remember how much those cost)
Having equipment is nice and impressive, but at the end of the day, it's the composition and the ability to compose that tells the story..
AH - Sometimes I just don't give enough information, so, let me clarify a bit.
I have used disposable cameras in the past and I have gotten good results, But - everything was correct for the type of disposable I had , there was enough ambient light, not a real bright background, the subject was in the focus range of the camera.
And - on the other side - I was at a wedding and they left disposables for every one. These were for indoors, they had a flash. The only pictures that came out decent were the ones where the subject was within the 6 foot flash range. Pictures taken outside were at best - bad. My point earlier was not to use these as the main source of wedding pictures. Some one earlier also stated that folks will have a drink or three and - well - nuff said there.
Regarding equipment - The wedding photograher should have what is needed to take close up pictures, mild telephoto pictures and one for normal focal length. Some of the newer zoom lens cover these and are quite good. There should be a flash capable of lighting up whatever the subject is - You don't need lots and lots, but there should be backup cameras, flashes, batteries, lens etc. on site. We all have heard stories of the Photographer - Friend - who was doing them a favor only brought one camera and it broke.
I agree completely the composition and the 'story' is what is important.
Brighteyez said:
Why did you think that $20 was out of line for a 5x7 print? Did you expect it for 79¢ or whatever it costs to have a copy of a snapshot made at the drugstore? Of course the pricing would be dependent upon the market as well. If the photographer works mainly with lower economic clients in a financially deprived area, they can't very well charge what a photographer might charge a client in NY's upper East Side, or Beverly Hills, but $20 is not entirely out of line if it's from a carriage-trade photographer.
Here again - I agree - but only up to a point . I did not expect to see a pro offer $.79 5x7 enlargements. I expected, and so did every else in my family something along the lines of $10 or so. Now if it were and 8x10 or 11x14 - then maybe $20. We don't live in Beverly Hills, pure middle class here. I also expected some kind of discount for multiples, none offered. To the best of my knowledge, no one bought any pictures. Clear case of him pricing himself out of the market.
But we are getting out of the idea of this thread .
There is plenty of great information listed here, plenty of good suggestions. and enough - 'watch out for this ' items