OK, here is what I regard as the Incandescent picture par excellence:
"
Soiree im Hotel Caillebotte in der Rue Monceau im Jahre 1878" by the French Impressionist
Jean Beraud:
I saw the original at the Victorian Art Gallery in 2004 when they had an exhibition from the Paris Musee d'Orsay. This painting was a standout - even amongst the Renoirs and Monets there. I thought it was all about the ladies, the occasion, the grandeur and the mood. But one thing that particularly struck me, which I thought an irrelevant detail at the time, was how the electric lights in the painting actually seemed to be glowing, as if they were switched on.
But in talking this picture over with my artist lady friend, upon mentioned the lights, both the orbs and the chandeliers, seemingly glowing out of the canvas, she asked the date it was painted. Easy question - same as the occasion - 1878.
She reminded me that in Paris in 1878, electric light was THE in thing, and just lighting a room with electric light, with its sparkling quality, unlike the softer gaslight, was a social occasion. It was the latest thing.
The point being, that the glowing electric lights leaping out of the canvas for me to notice was quite deliberately intentional on the part of the artist. He wanted the excitement, the glitter and the sparkle of the lights to grab your attention - it was part of the message of the painting.
So there. The Incandescent picture
par excellence. Glad to have an opportunity to share this with you.