DHart
Flashlight Enthusiast
Someone asked me how the beam tints compared on a couple of my lights, so I though better than words, I'd just grab some similar lights and make some beamshots controlled for daylight color balance to show tint differences. Of course there is some ability to discern central beam characteristics as well, even if spill beams are effectively impossible to discern. The wall is not a perfect neutral white color, but is definitely white and has ever so very slight warmish tone, but the relative differences in beam tint are quite apparent. Camera color balance was set and fixed to daylight. This is not a perfect test, of course, as the spill beams of each lamp will have some effect on the other beams. Here they are:
The next image should give a good representation of artifacts and relative beam differences between some popular flashlights... consistent 400 ISO, Daylight color balance, fixed exposure and aperture, fixed focal length and distances. Ambient light in the room was not controlled, so there will be variation in ambient on the edges, but this doesn't significantly alter the general representation of beam size, shape, artifacts, or coloration.
I was surprised at the tints on the LD01 and Quark as when used individually in the"real world",
they appear relatively neutral in color tone. But relative to other beam tints, it's clear there
are distinct color casts to them all. The Malkoff M60 has what might be described as the most neutral
color of these lamps.
Of course there are some significant output differences among these, but most were on their high
setting anyway. In spite of the output variation, I think these images are fairly indicative of the general
beam characteristics and, to some degree, coloration these lights possess.
The next image should give a good representation of artifacts and relative beam differences between some popular flashlights... consistent 400 ISO, Daylight color balance, fixed exposure and aperture, fixed focal length and distances. Ambient light in the room was not controlled, so there will be variation in ambient on the edges, but this doesn't significantly alter the general representation of beam size, shape, artifacts, or coloration.
I was surprised at the tints on the LD01 and Quark as when used individually in the"real world",
they appear relatively neutral in color tone. But relative to other beam tints, it's clear there
are distinct color casts to them all. The Malkoff M60 has what might be described as the most neutral
color of these lamps.
Of course there are some significant output differences among these, but most were on their high
setting anyway. In spite of the output variation, I think these images are fairly indicative of the general
beam characteristics and, to some degree, coloration these lights possess.
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