I've seen several threads where people were asking about the tint and output differences between the three common tints for the SST-50
emitter. So I asked Supasizefries if he would be willing to send me a
couple of his modules (I already had the 4500K) so I could do a quick beamshot comparison to try and show the differences, and he was kind enough to ablige.
I did both indoor ceiling bounce shots, as well as outdoor shots so you could get an idea of how each performs in these different settings. One note - I had a difficult time hitting the target in the same spot outdoors due to the diffuse nature of the SST-50 hotspot, especially at a distance (around 100 feet).
These seem to be one of the hottest emitters going right now, so hopefully some of you will find this helpful.
Camera settings: Fuji F30 / Manual Mode / Daylight WB / 0.5 sec (Indoor), 3 sec (outdoor) / ISO 100
Indoor Ceiling Bounce Shots
(for output reference)
Outdoor Beamshots - 100 feet
(For brightness reference)
(With reference shots)
(With SST-50's Only)
Thanks for looking!
-Rich
emitter. So I asked Supasizefries if he would be willing to send me a
couple of his modules (I already had the 4500K) so I could do a quick beamshot comparison to try and show the differences, and he was kind enough to ablige.
I did both indoor ceiling bounce shots, as well as outdoor shots so you could get an idea of how each performs in these different settings. One note - I had a difficult time hitting the target in the same spot outdoors due to the diffuse nature of the SST-50 hotspot, especially at a distance (around 100 feet).
These seem to be one of the hottest emitters going right now, so hopefully some of you will find this helpful.
Camera settings: Fuji F30 / Manual Mode / Daylight WB / 0.5 sec (Indoor), 3 sec (outdoor) / ISO 100
Indoor Ceiling Bounce Shots
(for output reference)
Outdoor Beamshots - 100 feet
(For brightness reference)
(With reference shots)
(With SST-50's Only)
Thanks for looking!
-Rich
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