The Tint Snob Thread

jon_slider

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The 3000k Olight is interesting Jon... Can you post a beamshot of that light illuminating something (by itself)?

Sure, but. you will quickly learn that a single beam, photographed with an iPhone using auto white balance, is essentially meaningless, it does not inform tint, nor CCT at all:

but, I enjoy posting pics, so, thanks for asking. I include a few others, to make the tint differences more obvious

here are the lights in the following shots
34023554692_6ba29abf6f_c.jpg

34180971735_efb6410119_c.jpg


34180975005_73a3a6f1ff_c.jpg


34050174471_4df0d97d08_c.jpg


now a shot to compare the Maratac Nichia to the Worm Nichia
these lights, (illuminated by a Fenix E01):
34140830226_973a726710_c.jpg


33796629800_d2fd1f91a1_c.jpg


and for good measure, these lights, (illuminated by daylight in my kitchen)
modded Olight i3s, stock Maratac w Nichia, stock Worm w Nichia, and stock Fenix E01

34023796772_78da6f0333_c.jpg


34181226655_a399e5912f_c.jpg
 

G. I.

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All those 4000-4500K LEDs called "neutral white" aren't really. 5500-5600K (daylight) would be. In printing and photography that's the main colour temp of the proofing lights.
 
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jon_slider

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All those 4000-4500K LEDs called "neutral white" aren't really. 5500-5600K (daylight) would be. In printing and photography that's the main colour temp of the proofing lights.

Im guessing you are talking about a photo taken using Sunlight as the illuminant.

when talking about flashlight illumination, words like neutral can refer to either or both, tint And/Or Color Temperature

the 3000k light Ive been posting has a Yellow Tint, the 6000k? E01 has a Blue tint... the 4000k Maratac has a slight yellow tint, and Imo the 4500k Worm has a very close to Neutral Tint.. (neutral as in, on the BBL, not yellow green as in above the BBL, or magenta, as in below the BBL)

Im always interested in photos, show us something from your flashlight world.. certainly a photo taken under a light source of 5500k should be proofed at 5500k, but, you would not proof a photo taken under a 3000k light source with a 5500k white balance, would you?
 
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G. I.

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you would not proof a photo taken under a 3000k light source with a 5500k white balance, would you?

Yes I would, that's the point of colour proofing. But this is not the scope of this forum. My point was that I'd like to see *really* neutral daylight 5500-5600K LEDs – of course without bad tints in the halo and with high CRI – in flashlights, not just in studio equipment. Portable LED technology has a lot of room to improve yet.
 
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iamlucky13

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All those 4000-4500K LEDs called "neutral white" aren't really. 5500-5600K (daylight) would be. In printing and photography that's the main colour temp of the proofing lights.

Neutral is contextual. If you viewed a 5600K light at night when most of the other reference sources are 2700K, it will look very blue.

But when you're in control of the entire lighting context, as you should be for proofing photos, 5600K is arguably best, because it puts the peak roughly in the middle of the spectrum and provides similar balance in the extreme. As much as I like warm lights, I am aware of the weakness in blue rendering.

If you're interested in high CRI, neutral, daylight tone, Zebralight has a couple you should look at. I'm thinking in particular of the SC600Fd III Plus, and it's headlamp equivalent. It's a floody beam only, and 5000K, but that's very close, but there are more variants expected to come out. My personal speculation is a more throwy high CRI flashlight based on the XP-L2 will be released in the next year.

I'm considering creating a custom work light based on a 5600K, 93+ CRI Yuji chip, but that's not a chip suited for a flashlight.
 

staticx57

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You can get 5700k 90CRI nichia 219b emitters and build a light around them. They are nice, I have a single and triple with them
 

the.Mtn.Man

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Photographs are pretty much useless for comparing tints because there are countless factors that make it pointless, from the kind of camera to the subject matter to the white balance to the exposure to how it looks on someone's monitor, and so on. You need to see it with your own eyes to make an accurate evaluation.
 

jon_slider

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a human hand
totally agree
hand photos can be extremely informative, to me

if someone wanted to know what a 3000k XPL looks like compared to a 4-4500k N219b, this photo would be informative
34050174471_4df0d97d08_c.jpg


and if I wanted to compare hi CRI and Low CRI LEDs, this photo would also be very useful to me:
Thanks to twistedraven for these
in the above photo I can clearly see that the highest CRI lights produce the most realistic hand colors
 

the.Mtn.Man

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...unless you have something at least somewhat reliable to seem against, which is why greenery, and better yet, a human hand, are better than using backgrounds of unknown nature.
Subject is just one variable among many.
 

the.Mtn.Man

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totally agree
hand photos can be extremely informative, to me

if someone wanted to know what a 3000k XPL looks like compared to a 4-4500k N219b, this photo would be informative
34050174471_4df0d97d08_c.jpg
Not really, because, at least on my monitor, it looks like the white balance is skewed in favor of the beam on the right which makes me suspect that the beam on the left is not accurately represented.
 

MAD777

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I posted the following in another thread, but it's appropriate here....

I learned that tint is more important than lumens. My theory is that the human eye "interprets", whereas a light meter "measures".

The better tints help the eye/brain interpret the scene, therefore we "see" more.

That's why, when you go to a Blue Man Group concert, you can't really focus on them. So, I go only to Red Man Group concerts...... ;)
 

LeanBurn

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I agree. My little ~10 ish lumens Yuji penlight is a tint and CRI powerhouse. I prefer it to 100 lumens of neutral and exponentially more to a cool or purple tint light. My eyes seem to be more calm and able to pick out more discrete details more quickly and easily than any other light I own.
 
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jon_slider

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The better tints help the eye/brain interpret the scene, therefore we "see" more.

terminology
tint is not necessarily the same as color temperature (CCT)
we see more with higher CRI, not just different tints

look at the two nichias, one is much cooler than the other, yet both have better CRI than the rest of the LEDs

note that the 5700k XHP has a green tint AND low CRI, compare it to the 5700k Nichia and you will see that CCT has nothing to do with Tint, nor CRI, they are all separate variables
3TMBdGT.png


I agree. My little ~10 ish lumens Yuji penlight is a tint and CRI powerhouse.
glad you're happy. I cannot tell what tint, CRI or CCT your penlight is, and its not the lumens that make it a powerhouse :)

maybe include info on what LED is in your penlight, along with its specs, and a photo showing its tint compared to a Nichia, both shining on your hand, like this:
34050174471_4df0d97d08_c.jpg


it seems to me, this thread is supposed to be about "Tint" but actually it is also about CRI and CCT

my Tint snobbery makes me avoid green and yellow tints, I also avoid low CRI, and I avoid Cool CCT (to me 5700k borders on Cool)

Im not trying to make my flashlight look like daylight, I don't need a flashlight in daylight. My personal application of flashlighting is to produce light that is more like sunset than noon, and in the case of the 3000k XPL, its about producing low brightness similar to a candle, in a CCT similar to a candle..

point being, for low light levels, I prefer lower CCT, and for high brightness, I prefer higher CCT.. but in all cases I prefer high CRI

choice of CCT and CRI all depends on the application of the light.. But I think we all agree that green tint is not desirable, at any CCT and at any CRI..
 
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