Being an audio guy, I just can't resist weighing in on the audio analogy with CDs and the comment about sampling rate and analog waveforms.
Both CDs, and turntables (or analog master tapes) have errors that make neither a perfect copy. Mathematically ... and yes mathematics DOES matter, a CD, at least one created with modern recording equipment is a far closer copy of the original than a turntable is. Sure back in the old days of phase-locked loops around mechanical processes for timing, analog brick wall filters due to the lack of oversampling, etc. the CD could be rather "coarse", but again, with a modern recording and a tolerable CD for playback, the CD is a closer copy. Perhaps it does not have that poor separation of audio that a turntable has that can create a "sound" that some people like, but you could always mix that back in. Then again, with 24/96 or 24/192 available now, it is really not even close and almost the most staunch "audiophiles" would agree. They would probably agree also, especially if not told, that some of the latest in Class-D amplifiers, especially with all digital paths, are better than their favorite class-A amp.
Hopefully we won't be 'slapped' for taking the thread off topic - and I'm the guilty party if we do!! Thanks for weighing in. I've been an "audio guy" for the better part of 36 years, I've enjoyed watching the evolution of audio - kinda like watching the evolution of LEDs.
Neither I OR you are absolutely right or wrong on this. I'll tip my hat to your technical explanation. And you'll find some audiophiles who agree with what you say, and some who vehemently disagree.
That's the beauty of the discussion - everyone has an opinion, and whatever is right for each person is what matters. It's about preferences, and I violated my own words and threw an "absolute" out there. Apologies.
There's little doubt that technically a solid state amp is 'better' than a tube amp, yet tube lovers (especially guitar players - I'm guilty) love the 'sound' of a QUALITY tube amp, even while recognizing that digital processors and solid state variants come oh, so very close.
And while I will agree with you that a quality CD, recorded properly, going through a quality path, will produce a sound that most might pick over an LP, some still might surprise you.
Back in the days when my listening buddies (two of them very opinionated engineers) had these discussions, it was tons of fun. Incidentally, the engineers conceded that the digital recordings and solid state electronics were superior, but oddly they preferred listening to music on an LP (as long as it was clean and had minimal clicks and pops) - some through a partial tube path - others not.
Regardless, lest anyone misunderstand, I was in
FAVOR of the LED, and as mentioned, I haven't listened to an LP in decades. Most of today's recordings are so technology enhanced and digitally processed that you aren't really listening to the 'original' performance. I would guess that few have (as I have) sat in front of a real symphony orchestra and participated in the recording of the performance, then listened to that exact performance's recording playback in a listening room with no parallel walls, no "standing waves", etc.
Back to the flashlight, LED and Incan lights are both enjoyable to me. LED technology has advanced so much - the quality is SO good - and the improved run times, reduced heat, etc., are appealing. From a technological standpoint, the LEDs are (arguably) "better" than incandescent. Still, just like the old LP and Tube Electronics, there is just something about that warm, glowing incandescent that some people prefer.
I'm not trying to have the last word on this. SemiMan made great, accurate points. Just keeping it real - this is such an enjoyable discussion. And SemiMan, great to hear from a fellow audio lover! These days most people hear their music primarily through ear buds and and iPhone or MP3 player!
MY APOLOGIES TO THE OP FOR TAKING THIS ON A SLIGHT DIVERSION!