Cool Craig! Another case of 10:1 . I think, as I have stated before, this is an ideal high/ low mix as the human eye can typically handle 10:1 with no problem. That is to say it can take 10X the current level to make a real big difference. This is about 3+ F stops on a camera which is difficult for most films due to their density but the eye has much greater dynamic range*. For a 60 lumen output light, having a 6 lumen low level is a good selection, IMHO. When these lights get to 100 lumens output, I would love to come up with a simple and quick access switch that shifted through three levels; 1 lumen, 10 lumens and then 100 lumens. That would be sweet! I think I have time to work on the switch as the 100 lumen Lux III's ain't here yet.......... /ubbthreads/images/graemlins/blush.gif
* I think I am correct and making sense here but I am open to correction and welcome illumination on this subject.